{"title":"Publications","description":"","products":[{"product_id":"from-the-kitchen-table-drew-gallery-projects-1984-90","title":"FROM THE KITCHEN TABLE \/\/ Drew Gallery Projects 1984 - 90","description":"\u003ch2\u003e\u003cstrong\u003eOnly available here\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003ePublished by Southwark Park Galleries (formerly CGP London) to accompany the touring exhibition \u003cem\u003eFrom the Kitchen Table: Drew Gallery Projects 1984 – 90 \u003c\/em\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eThis large-scale exhibition bought together original commissions, related works and archive material by over 30 artists originating from Australian curator Sandra Drew's ground-breaking public-realm exhibitions and actions staged in and around Canterbury throughout the 1980s. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eFrom the Kitchen Table\u003c\/i\u003e highlights Sandra’s revolutionary take on public art, site-specificity, and feminist sculptural practice. \u003c\/p\u003e\n\u003cp\u003eThis publication features: \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eProfessor Terry Perk\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eIntroduction\u003c\/b\u003e Judith Carlton, Director of CGP London\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eThe Edge Of Acceptability\u003c\/b\u003e John Carson\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e“You Couldn’t Do This In London!”\u003c\/b\u003e A conversation between Sandra Drew and Terry Perk\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eReflections On An (‘Archive’)\u003c\/b\u003e Edward Chell\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eWomen’s Sculpture In The 1980s And The Drew Gallery Projects\u003c\/b\u003e Thalia Allington-Wood\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eA Promenade\u003c\/b\u003e Sharon Kivland\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eArtists’ Voices \u003c\/b\u003eJudith Ahern, Phyllida Barlow, Hamish Black, Sarah Bradpiece, John Cobb, Jody Culkin, Mark Dunhill, Catherine Elwes, Bonita Ely, Rose English, Laura Ford, Hamish Fulton, Shelby Fitzpatrick, Neville Gabie, Rose Garrard, Bruce Gilchrist, Adrian Hall, Jason Hartcup, David Haste, Andy Hazell, Wendy Howard, Tina Keane, Rob Kesseler, Sharon Kivland, David Mach, Euphemia MacTavish, Katharine Meynell, Joanna Mowbray, Jayne Parker, Richard Rome, Mira Schor, Kumiko Shimizu, Maryrose Sinn, Yoko Terauchi, Marion Urch, Alison Wilding, Maeve Woods, Julia Wood, Ellen Woolf, Jerilea Zempel.\u003c\/p\u003e\n\u003cp\u003eEdited by Sandra Drew and Georgie Scott.\u003c\/p\u003e\n\u003cspan\u003ePaperback, 143 pages, 299 x 268mm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e£25.00\u003c\/span\u003e","brand":"Southwark Park Galleries","offers":[{"title":"Default Title","offer_id":31091494453351,"sku":"","price":25.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/0200\/6375\/products\/Sandra.jpg?v=1583344395"},{"product_id":"proposals-fo-the-royal-london-hospital-peter-liversedge","title":"Proposals fo The Royal London Hospital \/\/ Peter Liversedge","description":"\u003cp\u003ePeter Liversidge writes proposals for exhibitions and projects that range from the simple to the impossible. All proposals start in the same way, as a typed A4 piece of paper. Liversidge says of his proposals that: '…it's important that some of the proposals are actually realised, but no more so that the others that remain only as typed text on a piece of A4 paper'.\u003c\/p\u003e \n\n\u003cp\u003eIn 2013 Liversedge wrote a new series of proposals for The Royal London Hospital centred on ideas for the possibilities of transforming the hospital space.\u003c\/p\u003e\n\n\u003cp\u003ePublished by Vital Arts, 2014, softcover, approx 80 pages, 21cm x 17cm\u003c\/p\u003e","brand":"Southwark Park Galleries","offers":[{"title":"Default Title","offer_id":39287694819431,"sku":"","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/0200\/6375\/products\/PT_Royal-Hospital-School-web.jpg?v=1616783509"},{"product_id":"surface-mail-peter-liversidge","title":"Surface Mail (or the Limitations of Magic) \/\/ Peter Liversidge","description":"\u003cp\u003ePublished on the occasion of the exhibition Peter Liversidge – Surface Mail (or The Limitations of Magic) at the Centre des livres d'artistes in Saint-Yrieix-la-Perche, France, 2017.\u003c\/p\u003e\n\n\u003cp\u003ePublished by Centre des livres d'artistes and Peter Foolen Editions, 2017, softcover, 96 pages, 24cm x 17cm\u003c\/p\u003e","brand":"Southwark Park Galleries","offers":[{"title":"Default Title","offer_id":39287694884967,"sku":"","price":20.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/0200\/6375\/products\/PT_Surface-Mail-web.jpg?v=1616783511"},{"product_id":"proposals-for-the-residents-of-sceaux-gardens-peter-liversidge","title":"Proposals for the Residents of Sceaux Gardens \/\/ Peter Liversidge","description":"\u003cp\u003ePeter Liversidge writes proposals for exhibitions and projects that range from the simple to the impossible. All proposals start in the same way, as a typed A4 piece of paper. Liversidge says of his proposals that: '…it's important that some of the proposals are actually realised, but no more so that the others that remain only as typed text on a piece of A4 paper'.\u003c\/p\u003e\n\n\u003cp\u003eProposals for the Residents of Sceaux Gardens was commissioned as part of The Signs Project, which began in 2013 as a collaboration between Sceaux Gardens Tenants and Residents Association and the South London Gallery to improve way-finding and the visual identity of the estate.\u003c\/p\u003e\n\n\u003cp\u003ePublished by South London Gallery, 2015, softcover, approx 50 pages, 21cm x 16cm\u003c\/p\u003e","brand":"Southwark Park Galleries","offers":[{"title":"Default Title","offer_id":39287694950503,"sku":"","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/0200\/6375\/products\/PT_Sceaux-Gardens-web.jpg?v=1616783512"},{"product_id":"proposals-for-the-scottish-national-gallery-of-modern-art-peter-liversidge","title":"Proposals for the Scottish National Gallery of Modern Art \/\/ Peter Liversidge","description":"\u003cp\u003ePeter Liversidge writes proposals for exhibitions and projects that range from the simple to the impossible. All proposals start in the same way, as a typed A4 piece of paper. Liversidge says of his proposals that: '…it's important that some of the proposals are actually realised, but no more so that the others that remain only as typed text on a piece of A4 paper'.\u003c\/p\u003e\n\n\u003cp\u003eThese proposals were sent to Simon Groom at the Scottish National Gallery of Modern Art, Edinburgh between 7th April and 2nd June 2010.\u003c\/p\u003e\n\n\u003cp\u003ePublished by Ingleby Gallery, 2010, softcover, approx 80 pages, 21cm x 17cm\u003c\/p\u003e","brand":"Southwark Park Galleries","offers":[{"title":"Default Title","offer_id":39287695016039,"sku":"","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/0200\/6375\/products\/PT_-Proposals-for-the-scottish-National-Gallery-of-Modern-Art-web.jpg?v=1616783514"},{"product_id":"seandower","title":"Sean Dower","description":"\u003cp\u003eSean Dower works with sculpture, film and video, live performance, photography and sound. Much of his work draws on his historical involvement in live performance. Dower was active in the UK industrial music scene of the early 1980s before going on to work with the radical performance art group Bow Gamelan Ensemble. He studied Sculpture at Camberwell School of Art and Design and then attended the Rijksakademie van Beeldenden Kunsten in Amsterdam. He has been presenting his work internationally in galleries, museums and other contexts since the early 1990's and has been engaged in music and live performance since 1983.\u003c\/p\u003e\n\n\u003cp\u003eMonograph includes essay by Jo Melvin.\u003c\/p\u003e \n\n\u003cp\u003ePublished by Dom Omladine Beograda \/ Legat Franklin, 2017, softcover, 184 pages, 26 x 21\u003c\/p\u003e","brand":"Southwark Park Galleries","offers":[{"title":"Default Title","offer_id":39287695179879,"sku":"","price":25.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/0200\/6375\/products\/Sean-Dower-web.jpg?v=1616783517"},{"product_id":"edwardburra","title":"Edward Burra \/\/ Simon Martin","description":"\u003cp\u003eEdward Burra (1905-76) was an English painter who is best known for his paintings of the seedy underworld of urban life. Yet, as this fascinating new monograph on his work reveals, his interests were much broader, incorporating landscape and still-life paintings, stage designs, book illustration and watercolours. Somewhat neglected by histories of modern art because his singular vision was often at odd with the mainstream art world, his work is now due for a re-appraisal.\u003c\/p\u003e\n\n\u003cp\u003eThis important book represents the first full-scale monograph on Edward Burra and reproduces 100 key paintings alongside drawings and a range of fascinating contextual material. It positions Burra as a major figure in the history of 20th-century art, placing his work alongside that of the German Expressionists and other important contemporaries and influences.\u003c\/p\u003e \n\n\u003cp\u003ePublished by Lund Humphries, 2011, hardcover, 176 pages, 27cm x 24cm\u003c\/p\u003e","brand":"Southwark Park Galleries","offers":[{"title":"Default Title","offer_id":39287695212647,"sku":"","price":40.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/0200\/6375\/products\/Edwar-Burra-web_913e4cb8-6447-49b4-bb17-d748a9836813.jpg?v=1616783519"},{"product_id":"the-water-people-brian-griffin","title":"The Water People \/\/ Brian Griffin","description":"\u003cp\u003eIn 2005 Brian Griffin was invited by the Icelandic geothermal energy company, Reykjavik Energy, to undertake a commission. The original idea was simply to ‘represent water’ and he was free to interpret it exactly as he saw fit.\u003c\/p\u003e \n\n\u003cp\u003eHis unique solution to this project was to create a mythic tale of an aerial adventure across the Icelandic landscape in search of The Water People. Griffin drew upon Jules Verne’s Journey to the Centre of the Earth to visualise the pathway of Reykjavik Energy’s remarkable geothermal infrastructure as a modern Icelandic saga. The adventure is retold through a surreal, filmic narrative of large-scale photographs and unfolds into a voyage across a netherworld of gaseous, ethereal landscapes, following a pathway of polished metallic pipelines to discover The City of the Water People, inhabited by strange, amorphous, liquid life forms.\u003c\/p\u003e\n\n\u003cp\u003eThe work combines artfully constructed portraits, utilising a specially-made screen to create a watery abstraction, together with landscapes inspired by the German artist Caspar David Freidriech. Griffin’s heavy use of symbolism, his fictional narratives and Noirish aesthetic runs counter to the objective, documentary approach that dominates much of contemporary art and corporate photography.\u003c\/p\u003e\n\n\u003cp\u003ePublished in 2006, hardcover, approx 200 pages\u003c\/p\u003e","brand":"Southwark Park Galleries","offers":[{"title":"Default Title","offer_id":39287695310951,"sku":"","price":35.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/0200\/6375\/products\/Brian-Griffin-web.jpg?v=1616783521"},{"product_id":"clairegoodwin","title":"Clare Goodwin","description":"\u003cp\u003eArtist Monograph with essays by Rebecca Geldard and Andreas Vogel\u003c\/p\u003e\n\u003cp\u003eBased in Zürich, Switzerland, Clare Goodwin grew up in Birmingham in the UK, studied painting at Winchester School of Art from 1993-96 and the Royal College of Art London in 1996-98. Invited by ECAV Sierre as an Artist in Residency and supported by the British Council in Bern, she moved to Switzerland in 2001 where she continues to live and work. Goodwins primary studio practice is painting. In her broader artistic practice and for exhibitions she engages with other media, from works on paper, spatial installations\/large wall paintings to painted object furniture and - most recently - ceramics. The suggestion of abstract portraiture and the human spirit is a recurring topic in all her work, drawn directly from personal experiences and combining narrative possibilities with visual poetry.\u003c\/p\u003e\n\u003cp\u003ePublished by Edizioni Periferia, Pro Helvetia, 2010, softcover, approx 60 pages, 24cm x 17cm\u003c\/p\u003e","brand":"Southwark Park Galleries","offers":[{"title":"Default Title","offer_id":39287695540327,"sku":"","price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/0200\/6375\/products\/Clare-goodwin-web.jpg?v=1616783526"},{"product_id":"whyandwhynot-marktitchner","title":"Why And Why Not \/\/ Mark Titchner","description":"\u003cp\u003e‘Language is how we relate to the world, there’s no separation’ Mark Titchner\u003c\/p\u003e \n\n\u003cp\u003eWhy and Why Not is a book that embraces the fine tradition of the street corner prophet, tempered with the equally proud custom of keeping your mouth firmly shut. Constructed in chapters, with titles such as I Against I and Policing Love with Neuroses, this publication represents a chain of declamatory ‘rants’ that critically probe traditional notions of narrative authority. By graphically sequencing points with counterpoints, Titchner creates an assemblage where ideals are overturned and philosophies ruined.\u003c\/p\u003e \n\n\u003cp\u003ePublished by Bookworks, 2004, softcover, 96 pages, 190cm x 135cm\u003c\/p\u003e","brand":"Southwark Park Galleries","offers":[{"title":"Default Title","offer_id":39287710318695,"sku":"","price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/0200\/6375\/products\/Mark_Titchner-Why-and-why-not-web.jpg?v=1616784251"},{"product_id":"mappingperception","title":"Mapping Perception","description":"\u003cp\u003eMapping Perception was a four year collaboration between Giles Lane, curator and producer, Andrew Kötting, the acclaimed director of 'Gallivant' and 'This Filthy Earth', and Mark Lythgoe, neurophysiologist at the Institute of Child Health, London with the participation of Eden Kötting. Mapping Perception examined the limits of human perception through an investigation of impaired brain function, making visible the connections between scientific and artistic explorations of the human condition, probing the thin membrane between the able and the disabled. At the heart of the project is Eden, Andrew’s daughter. She was born at Guy’s Hospital, London, in 1988 with a rare genetic disorder – Joubert Syndrome – causing cereberal vermis hypoplasia and several other neurological complications. Eden participated in the project as both a catalyst and a cypher for a more general investigation into how we see the world and perceive difference.\u003c\/p\u003e\n\n\u003cp\u003e'We spent almost four years working together and eventually produced a website, a gallery installation, a 35mm film and a book. We trawled back through a lot of my early archive of Eden as well as hours of Public Information films on the nature of disability'. Andrew Kotting\u003c\/p\u003e\n\n\u003cp\u003e'Scientists and artists share an unquenchable curiosity and desire to question the world in which we live. Their methods, processes and outcomes may be worlds apart but their journeys can intertwine in united voyages of discovery. Mapping Perception is just such an experimental entanglement – the sum of four years of collaborative thinking, arguing, discussing, sharing and creating, borne of a shared passion, a common interest – perception.' Giles Lane, Curator\u003cbr\u003e\n \u003cbr\u003e\nThe exhibition 'Mapping Perception' was presented Southwark Park Galleries (fomerly CGP London) in 2002.\u003c\/p\u003e\n\n\u003cp\u003ePublished by Proboscis, 2002, softcover with CD, 72 pages, 19cm x 21cm\u003c\/p\u003e","brand":"Southwark Park Galleries","offers":[{"title":"Default Title","offer_id":39287710351463,"sku":"","price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/0200\/6375\/products\/Mapping-PErceptions-web.jpg?v=1616784252"},{"product_id":"twopeacocks-adepartmentstore","title":"Two Peacocks: A Department Store","description":"\u003cp\u003eSituated inside the urban sprawl of a culture that sells just about everything, we lose ourselves and find something to buy instead.\u003c\/p\u003e \n\n\u003cp\u003eTwo Peacocks questions the marketing of art and the art of marketing. Each one merges into the other as we try to wade through the difference between desire for material comfort and desire for art. Art and Design have always been considered our way of expressing our unique and spiritual self, but at what point does it move away from that thing called shopping. This collision, offered by Two Peacocks, suggests our relationship with the material and the divine is muddled at best. Helen Baker\u003c\/p\u003e\n\n\u003cp\u003eTwo Peacocks: A Department Store was an exhibition at Gallery North, Newcastle upon Tyne, that examined the fictional narratives offered by consumer culture and was organised by the artist John Walter.\u003c\/p\u003e \n\n\u003cp\u003ePublished in 2011, hardcover, 80 pages, 22cm x 16cm\u003c\/p\u003e","brand":"Southwark Park Galleries","offers":[{"title":"Default Title","offer_id":39287710384231,"sku":"","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/0200\/6375\/products\/Two-Peacocks-web.jpg?v=1616784253"},{"product_id":"ronhenocq-worksonpaper","title":"Ron Henocq Works on Paper 1970-2015","description":"\u003cp\u003eThis publication was created to accompany the exhibition Ron Henocq: Works on Paper 1970-2015.  It presents a selection of works by Henocq that represent various aspects within his vast body of work, including intimately-scaled drawings, industrious illustration, lino print studies and line drawings.\u003c\/p\u003e \n\n\u003cp\u003eHenocq’s works span his private journeys both domestically and internationally; charting his daily life as an artist in London whilst documenting his passion for travel and adventure, a visual diary set amongst a diverse range of scenic backdrops including Tobago, Cork, Berlin, Mexico, New York, Morocco, Crete and London.\u003c\/p\u003e \n\n\u003cp\u003ePublished by Southwark Park Galleries, 2015, softcover, 28 pages, 21cm x 29.5cm\u003c\/p\u003e","brand":"Southwark Park Galleries","offers":[{"title":"Default Title","offer_id":39287710416999,"sku":"","price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/0200\/6375\/products\/Ron-Henocq-Web.jpg?v=1616784254"},{"product_id":"johnwalter-capsid","title":"John Walter: CAPSID","description":"\u003cp\u003eCAPSID is the first major monograph of British artist John Walter’s work. The result of his collaboration with molecular virologist Professor Greg Towers of University College London, CAPSID addresses a crisis of representation surrounding viruses such as HIV, by transposing the scientific research of capsids onto the broader subject of how culture is transmitted.\u003c\/p\u003e\n\n\u003cp\u003eCapsids are protein shells contained within viruses that help protect and deliver viruses to host cells during infection. Using imagery and narratives associated with groundbreaking scientific research supported by the Wellcome, CAPSID encompasses the full range and scale of Walter’s work, from sculpture and performance to video, drawing, costumes, prints and installation.\u003c\/p\u003e\n\n\u003cp\u003eFeaturing an introduction by Professor Towers, a newly commissioned essay by writer Jonathan P. Watts and an interview with the artist.\u003c\/p\u003e\n\n\u003cp\u003eThis publication offers an essential insight into Walter’s work, which is underscored by a maximalist approach and an unashamed celebration of shonkiness, a visual aesthetic that embodies the handmade, the awkward and imbalanced, at odds with the slick production values of much contemporary art, inviting us to embrace new ways of thinking.\u003c\/p\u003e\n\n\u003cp\u003eCAPSID was co-commissioned by Southwark Park Galleries and HOME Manchester.\u003c\/p\u003e \n\n\u003cp\u003ePublished by HOME, softcover, 168pages, 27cm x 21cm\u003c\/p\u003e","brand":"Southwark Park Galleries","offers":[{"title":"Default Title","offer_id":39287710482535,"sku":"","price":20.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/0200\/6375\/products\/John-Walter_CAPSID-web.jpg?v=1616784256"},{"product_id":"thewatchman-shonaillingsworth","title":"The Watch Man \/\/ Balnakiel \/\/ Shona Illingworth","description":"\u003cp\u003eThis publication resolves around two key works by the artist Shona Illingsworth. Made one after the other between 2006 and 2009, the video and sound installations, 'The Watch Man' and 'Balnakiel' are highly personal but extraordinary resonant studies of memory, history and place that examine the damage that is done to the pschye by the experience of war and the equally pervasive and insiduous marks that have been left on the physical landscape by the presence of the military. These two companion pieces have also been informed by a rich exchange between the artist and the cognitive neuro-psychologist Professor Martin A. Conway. Developed over a number of years, this ongoing dialogue has illuminated both the deep-seated influence and the complex and dynamic processes of memory as well as its temporal dimesion.\u003c\/p\u003e \n\n\u003cp\u003ePublished by Film and Video Umbrella, 2014, hardcover, 172 pages, 25cm x 20.9cm\u003c\/p\u003e","brand":"Southwark Park Galleries","offers":[{"title":"Default Title","offer_id":39287710515303,"sku":"","price":16.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/0200\/6375\/products\/Shona-web.jpg?v=1616784257"},{"product_id":"artandfeminism","title":"Art and Feminism","description":"\u003cp\u003eA sourcebook of art and artists informed by feminism from the 1960s to the start of the 21st century. The book presents a collection of artists including Louise Bourgeois, Adrian Piper, Judy Chicago and Tracey Emin. 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His varied yet instantly recognisable work chronicles the significant changes in British art from the austere 1950s to the post-post-modern late 1990s. This highly illustrated and visually exciting book provides the first comprehensive overview of the career of a major, prolific and complex artist, exploring Paolozzi's work from all periods and across all media: collage, sculpture, printmaking, ceramics, tapestry and film. An Italian Scot, Paolozzi studied first at Edinburgh College of Art, before moving on to the Ruskin Drawing School and the Slade. He was a founding member of the Independent Group in the early 1950s but steadfastly resisted the 'Pop' label, preferring instead to see his pioneering interdisciplinarity as an extension and an expansion of radical Surrealism. 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This publication includes extensive photographs chosen by Fagen to represent his past projects and to document the new body of work made for Venice\u003c\/p\u003e\n\n\u003cp\u003eThe publication also features new texts by Katrina Brown and Penelope Curtis; an interview between Graham Fagen and Louise Welsh; and an introduction by Lucy Byatt, Director of Hospitalfield.\u003c\/p\u003e\n\n\u003cp\u003ePublished by Hospitalfield, 2015, softcover, 157 pages, 25cm x 19cm\u003c\/p\u003e","brand":"Southwark Park Galleries","offers":[{"title":"Default Title","offer_id":39287710613607,"sku":"","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/0200\/6375\/products\/Graham-Fagen_Untitled-web.jpg?v=1616784261"},{"product_id":"stilllife-andrewkotting","title":"Louyre - This Our Still Life \/\/ Andrew Kotting","description":"\u003cp\u003eThis Our Still Life is a home movie. It is a portrait of a remote tumbledown Pyrenean farmhouse where I have lived on and off for almost twenty five years with my lover Leila and our daughter Eden. The isolation of existence in the French Pyrenees is both contemplative and meditative but sometimes the animistic presence of the great out-of-doors can prove overwhelming and the madness sets in. The film evokes a sense of this place whilst focusing on Eden and her glorious idiosyncratic personality and explores notions of nostalgia, memory and isolation.Robin Rimbaud, aka Scanner composed the music, which was taken from his album ‘Messe’. It has a melancholic tone to it, which accentuates a lot of the emotions at work in the film. The mood of the film pulls heavily from these beautiful compositions'. 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Thus a French poet [Guillot de Paris] of the period enumerates among the commodities to be found in the fair of Lendit, alongside clothing, shoes, leather, implements of cultivation, skins, etc., also “femmes folles de leur corps”.’ The English translator translates this as ‘wanton women’ Kivland would rather translate it as ‘women crazy about their bodies’, as she arranges and rearranges old and new works, addressing moments of revolution\/social change, read in fashion's detail.\u003c\/p\u003e \n\n\u003cp\u003eKivland’s work investigates how our lives are governed by systems of order that complement, overlap and contradict one another while undergoing periods of change continually.\u003c\/p\u003e\n\n\u003cp\u003ePublished by MA Bibliothèque, 2014, softcover, 93 pages, 17.5cm x 11.5cm\u003c\/p\u003e","brand":"Southwark Park Galleries","offers":[{"title":"Default Title","offer_id":39287710711911,"sku":"","price":5.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/0200\/6375\/products\/Sharon-Kivland-web.jpg?v=1616784264"},{"product_id":"12shooters-marciafarquhar","title":"12 Shooters \/\/ Marcia Farquhar","description":"\u003cp\u003e12 Shooters incorporates 13 short-films by 13 different filmmakers, each a reconfiguration of a once-live work from the last 12 years of Marcia Farquhar’s practice. In each case, Farquhar and the respective ‘shooter’ chose which work was to be revisited and in what manner. Farquhar then dedicated her performance to their camera on an appointed day, thereafter handing all editorial control to the filmmaker.\u003c\/p\u003e\n\u003cp\u003e“Most dazzling of all, 12 Shooters succeeds in being a critically engaging archive that is on-side with the stray thoughts and unexpected philosophical conundrums of everyday lived experience that have always been Farquhar’s subject”. – Deborah Levy\u003c\/p\u003e\n\u003cp\u003eThis cloth-bound volume contains a foreword by Stuart Brisley, essays by Peter Suchin, Tony Grisoni, Mark Harris and Alice Maude-Roxby, and extensive notes on the work by Marcia Farquhar, co-producer J. 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All proposals start in the same way, as a typed A4 piece of paper. Liversidge says of his proposals that: '…it's important that some of the proposals are actually realised, but no more so that the others that remain only as typed text on a piece of A4 paper'.\u003c\/p\u003e\n\n\u003cp\u003eOne of a thousand copies of typed proposals by Peter Liversidge, sent to Bloomberg SPACE, some of which were later realized in the COMMA 07 exhibition; Example proposal: I propose to give every visitor to the exhibition an orange.\u003c\/p\u003e\n\n\u003cp\u003ePublished by Bloomberg SPACE, 2009. Softcover. approx 100 pages, 21cm x 17cm\u003c\/p\u003e","brand":"Southwark Park Galleries","offers":[{"title":"Default Title","offer_id":39287710842983,"sku":"","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/0200\/6375\/products\/PT_Bloomberg-Proposals-web.jpg?v=1616784268"},{"product_id":"ingleby-proposals-peter-liversidge","title":"Ingleby Proposals \/\/ Peter Liversidge","description":"\u003cp\u003eA central aspect of Liversidge's practice is the making of Proposals - groups of hand-typed and posted suggestions that range from the sublime to the ridiculous. These proposals form the basis for exhibitions, art works, happenings and performances. Liversidge's proposal books include facsimile copies of the original, hand-typed proposals and act as an incredible record of the eccentricity, intellect and the diversity of Liversidge's practice. 'Ingleby Proposals' contains facsimiles of all 160 proposal\u003c\/p\u003e\n\n\u003cp\u003eEdinburgh: Ingleby Gallery, 2010. 16.5 cm x 21.3 cm\u003c\/p\u003e","brand":"Southwark Park Galleries","offers":[{"title":"Default Title","offer_id":39287710908519,"sku":"","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/0200\/6375\/products\/PT_Ingleby-Proposals.jpg?v=1616784548"},{"product_id":"proposals1997-2005-peterliversidge","title":"Proposals 1997 - 2005 \/\/ Peter Liversidge","description":"\u003cp\u003ePeter Liversidge writes proposals for exhibitions and projects that range from the simple to the impossible. All proposals start in the same way, as a typed A4 piece of paper. Liversidge says of his proposals that: '…it's important that some of the proposals are actually realised, but no more so that the others that remain only as typed text on a piece of A4 paper'. Liversidge says of his proposals that: '…it's important that some of the proposals are actually realised, but no more so that the others that remain only as typed text on a piece of A4 paper'.\u003c\/p\u003e\n\n\u003cp\u003ePublished by the Belfast-based Ormeau Baths Gallery, this book contains facsimiles of eight years of Peter Liversidge's proposals, from 1997-2005.\u003cbr\u003e\n21 cm x 15 cm\u003c\/p\u003e","brand":"Southwark Park Galleries","offers":[{"title":"Default Title","offer_id":39287710941287,"sku":"","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/0200\/6375\/products\/PT_Proposals-1997-2005-web.jpg?v=1616784270"},{"product_id":"proposals-for-kiasma-peter-liversidge","title":"Proposals for Kiasma \/\/ Peter Liversidge","description":"\u003cp\u003ePeter Liversidge writes proposals for exhibitions and projects that range from the simple to the impossible. All proposals start in the same way, as a typed A4 piece of paper. Liversidge says of his proposals that: '…it's important that some of the proposals are actually realised, but no more so that the others that remain only as typed text on a piece of A4 paper'. Liversidge says of his proposals that: '…it's important that some of the proposals are actually realised, but no more so that the others that remain only as typed text on a piece of A4 paper'.\u003c\/p\u003e\n\n\u003cp\u003ePublished by Kiasma on occasion of the exhibition\u003cbr\u003e\nReality Bites, The Document in Contemporary Art\u003cbr\u003e\n2 November 2012 – 10 March 2013\u003cbr\u003e\nKiasma, Museum of Contemporary Art\u003cbr\u003e\nMannerheiminaukio 2\u003cbr\u003e\nHelsinki\u003c\/p\u003e\n\n\u003cp\u003e88 pages, 21.2 x 16.8 cm\u003c\/p\u003e","brand":"Southwark Park Galleries","offers":[{"title":"Default Title","offer_id":39287711236199,"sku":"","price":20.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/0200\/6375\/products\/PT_Proposals-For-Kiasma-web.jpg?v=1616784271"},{"product_id":"whitechapelproposals-peter-liversidge","title":"Whitechapel Proposals \/\/ Peter Liversidge","description":"\u003cp\u003ePeter Liversidge writes proposals for exhibitions and projects that range from the simple to the impossible. All proposals start in the same way, as a typed A4 piece of paper. Liversidge says of his proposals that: '…it's important that some of the proposals are actually realised, but no more so that the others that remain only as typed text on a piece of A4 paper'.\u003c\/p\u003e \n\n\u003cp\u003eThese proposals were sent to curatorial staff at the Whitechapel Art Gallery in 2012. A number of these propsals were realised as part of the exhibition, 'The Spirit of Utopia', at the Whitechapel. in 2013.\u003c\/p\u003e\n\n\u003cp\u003ePublished by Whitechapel Gallery, 2013, approx 80 pages, 21cm x 17cm\u003c\/p\u003e","brand":"Southwark Park Galleries","offers":[{"title":"Default Title","offer_id":39287711760487,"sku":"","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/0200\/6375\/products\/PT_Whitechapel-Proposals-web.jpg?v=1616784272"},{"product_id":"a-ga-on-mountains-alec-finlay","title":"a-ga: on mountains, Alec Finlay","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"font_8\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eA new collection of pensée on mountains, walking and viewing, illustrated with photographs of word-mntn. Published on the occasion of the exhibition 'Wordsworth and Basho: Walking Poets' at Dove Cottage. Accompanied with photographs of Finlay's word-mntn sculptures by Luke Allan.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"font_8\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eAlec Finlay with Ken Cockburn \u0026amp; Luke Allan, morning star, 2014, 46pp\u003c\/span\u003e\u003c\/p\u003e","brand":"Southwark Park Galleries","offers":[{"title":"Default Title","offer_id":39293394387047,"sku":"","price":5.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/0200\/6375\/products\/Alec-Finlay_-a-ga.jpg?v=1617200453"},{"product_id":"ghoost-milk-iain-sinclair","title":"Ghost Milk \/\/ Iain Sinclair","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb data-mce-fragment=\"1\"\u003eIn\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eGhost Milk\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eIain Sinclair exposes the dark underbelly of the Olympics 2012\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/b\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBurrowing under the perimeter fence of the grandest of Grand Projects - the giant myth that is 2012's London Olympics - \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eGhost Milk\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003eexplores a landscape under sentence of death and soon to be scorched by riots. This is a road map to a possible future as well as Iain Sinclair's most powerful statement yet on the throwaway impermanence of the present.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e'Wonderful, sharp, amusing, grippingly atmospheric. One of our most dazzling prose stylists' \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eDaily Telegraph\u003c\/i\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e'A scorching diatribe' \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eIndependent\u003c\/i\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e'Sinclair views London through a distortingly surreal lens; a striking visual poetry and tart black comedy are extracted from even the most hopeless of London locations. For those unfamiliar with Sinclair's work, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eGhost Milk\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e is a good place to start' \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eSpectator\u003c\/i\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e'Inventive, dazzling, arresting. Sinclair lays bare the human consequences and mourns the disruption of communities, the erasure of history and of a sense of place and continuity. This is Sinclair at his best. He is the archetypal whistleblower, a pricker of vainglorious and self-promoting hyperbole. A superb chronicle of an improbable dream that has descended to a nightmare. 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The publication replicates the original scale of Williams’ artworks, drawn habitually since 2018. \u003c\/p\u003e\n\u003cp\u003eHis incisive drawings, often acerbic but always endearing, hilariously observe the pretence and politics of contemporary culture, especially that of the art world – whether it be the inner thoughts of an uber-curator or a buy-to-let landlord; Williams’ drawings reveal the absurdity of our contemporary condition.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003e‘Criticism, satire, portraiture...Many of his takes are pretty cutting, but there’s something like love, too, in just how particular, and whimsical they can get’.\u003c\/strong\u003e\u003c\/em\u003e – Will Heinrich, New York Times, April 2020\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eDesigned by Pagemasters, 2021, Softcover, book jacket \u0026amp; shrink-wrap, Magno Natural 140gsm, pp 160, 150mm x 150mm\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eThis publication is made possible by the generous support of the Arts Council of Wales through funds derived from the National Lottery.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e£25\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Southwark Park Galleries","offers":[{"title":"Default Title","offer_id":39326682185831,"sku":"","price":25.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/0200\/6375\/products\/Bedwyr-book-_-bookmark.jpg?v=1619591399"},{"product_id":"a-fine-day-for-seeing-ten-artists-ten-poets-exhibition-catalogue","title":"A Fine Day for Seeing: Ten Artists \/ Ten Poets Exhibition Catalogue","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eA Fine Day for Seeing\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e, published by Hercules Editions, presents ten artist and poet pairings featured in the exhibition held at Southwark Park Galleries in July \/ August 2021. 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The club lights on. You heard about an afters. The sun’s just coming up and the light is a distraction. The main event is over, what next? Because you’re… NOT GOING HOME'\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eWith a foreword by journalist Kate Spicer, this book documents the summer of 1998 as photographer Mischa Haller travelled across the UK to chronicle clubbers and partygoers out on the streets in the small hours of the morning — capturing what it felt like to be young, up all night, in that slightly woozy, surreal state between the club and the morning.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e“I was interested in the time between the nightclub closing and people going home — those one or two hours when the rest of the world is asleep, but clubbers are carrying on. 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Combining poetry, journal entries, documentation of artworks including assemblages and paintings, the book was published in Devon, England in an edition of 250 hand-made copies by the artist-led Beau Geste Press. It was one of the first artistic responses to the violence of the fascist junta.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eIn recent years, Vicuña has gained increasing renown, including a retrospective at Kunstinstituut Melly (FKA Witte de With, 2019) and installations at the Guggenheim (2022); Tate Modern (2023) and the Malta Biennale (2024). \u003cem\u003eSaborami \u003c\/em\u003eis one of her most important works, made at a turning point in her life and career, and reverberating through to the present day. Though the book is highly regarded, it has also been hard to access. 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Not really. Time gets scrambled here, blurring the border between night and day. Maybe it’s the adrenalin generated by constant stimulation, or the strange magic of collective energy, but you don’t get tired at the same rate, or hungry at the same times. For just a few days, your body clock is completely rewired as the hours melt and flow.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWhat happens after the after-hours? The rhythm of Glastonbury grows fuzzier, shaggier, totally unbound. This is the time of peak wandering, tripping through the lights and laughter with no particular destination in mind. Never mind your maps and watches, you’re in a liminal world, between here and there, night and day.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThink you know Glastonbury? Welcome to the early morning hours world when the TV cameras have been turned off and photographer Mischa Haller chronicles the characters that emerge when night turns to day. \u003c\/p\u003e\n\u003cp\u003eIntroduction by Dorian Lynskey, soft cover with flap, 56 pages, size 14.8 x 21cm (A5)\u003c\/p\u003e","brand":"Southwark Park Galleries","offers":[{"title":"Default Title","offer_id":57391412445567,"sku":null,"price":16.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/0200\/6375\/files\/01NDYcoverpage_webres.webp?v=1777022855"},{"product_id":"ways-of-meeting-recipe-collection-by-studio-106","title":"Ways of Meeting: Recipe collection by Studio 106","description":"\u003cp dir=\"ltr\"\u003e\u003cem\u003eWays of Meeting\u003c\/em\u003e\u003cspan\u003e is a collection of 12 shared recipes by artists and creatives. 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Designed by Tony Wadingham and copy edited by Rachel McIntyre.\u003c\/p\u003e","brand":"Southwark Park Galleries","offers":[{"title":"Default Title","offer_id":58176173572479,"sku":null,"price":18.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/0200\/6375\/files\/ISABEL-NOLAN-DREAMSHOOK-FA.jpg?v=1786643270"},{"product_id":"isabel-nolan-a-delicate-bond-which-is-also-a-gap","title":"Isabel Nolan: A DELICATE BOND WHICH IS ALSO A GAP","description":"\u003cp\u003eA DELICATE BOND WHICH IS ALSO A GAP by Isabel Nolan and Solstice Arts Centre. Designed with Oonagh Young, this beautiful publication features work exhibited in Nolan’s comprehensive 2021 exhibition ‘A delicate bond which is also a gap’ at Solstice, and a body of work which followed on from the making of the show. The exhibition alluded to a vast span of time bringing together drawings, sculpture, two woven images of the 40,000-year-old sculpture “Löwenmensch”, “Miracle Wave 2698 CE” and concluding with the ambitious, specially commissioned tapestry summoning images of the disintegrating sun “When the sky above will not be named”. The publication features texts by the artist; Irish fiction and arts writer Sue Rainsford; Berlin based writer and critic Martin Herbert, and an introduction by Solstice director Belinda Quirke.\u003c\/p\u003e\n\u003cp\u003e“The bonds that make us less lonely, that enable us to inhabit this world, seem to defy time and space. They connect us across all kinds of intervals - sonic, spatial, somatic and temporal. These delicate bonds that are also gaps are sub-atomic, social and aesthetic, both fundamental and a matter of convention. It is not miraculous but it can feel as near as dammit. We are the brief emanations of fields that are quantum, electromagnetic, gravitational, chemical, mental, and cultural. We work perpetually to understand each other, the universe, and ourselves. We do this over and over again, alone but together”.\u003c\/p\u003e\n\u003cp\u003e- Isabel Nolan\u003c\/p\u003e","brand":"Southwark Park Galleries","offers":[{"title":"Default Title","offer_id":58181280563583,"sku":null,"price":22.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/0200\/6375\/files\/Image-for-Website-4__ScaleMaxWidthWzExMjhd.png?v=1786718706"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/0200\/6375\/collections\/IMG_1804.jpg?v=1642160482","url":"https:\/\/shop.southwarkparkgalleries.org\/collections\/publications.oembed?page=3","provider":"Southwark Park Galleries","version":"1.0","type":"link"}